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Drafts of history: the world in newspapers on a single day


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ONLINE EXHIBIT & PUBLICLY SOURCED ARCHIVE
Exhibition curated by Vaibhav Singh

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Drafts of history: the world in newspapers on a single day


• • •

ONLINE EXHIBIT & PUBLICLY SOURCED ARCHIVE
Exhibition curated by Vaibhav Singh

INTRODUCTION

10 March 2020 marked what may retrospectively be called the end of an era: it was the last day before the World Health Organisation officially declared the global pandemic that continues to reshape our world in critical ways. As the restrictions and lockdowns came into effect worldwide, the ‘Drafts of History’ project has created a publicly sourced archive of that particular moment, articulated and comprehended through newspapers of a single day. The project collected physical/paper copies of 10th March papers from around the world to create a snapshot of the world in newspapers, and at the same time a record of newspapers as printed artefacts in our tumultuous world.



Newspapers – in words made famous by The Washington Post in the 1940s – form the ‘first rough draft of history’. Newspapers are also a bundle of contradictions, mayflies of the print world – short-lived, cheap, ubiquitous, and unreliable documents that are both instruments and recipients of a wide variety of use/abuse. Moving from drafts, advertisements, stories, and news to rags, raddi, wrappers, and pulp, in a matter of days, the printed newspaper has a particularly complex existence as a temporal, political, informational, and physical artefact. Thousands of newspapers around the world have ceased to operate over the last decade, and thousands more are on the brink of closure as ways of reporting and transmitting information change. Moreover, it is evident that we are at a juncture where not only the viability of the newspaper as a tangible document is under question, but when the free press as an institution is itself under sustained attack. As a myriad small and local newspapers across the world continue to teeter on the edge, we initiated the Drafts of history project to explore the complex, contradictory, deeply contested, and truly multifarious global history of the printed newspaper.

Over a year of uncertainties and disruptions, we have received more than a thousand newspapers from over ninety countries so far (with newspapers still on the way from several more) – thanks to our intrepid contributors who have persevered through postal purgatories, lost packages, and multiple return-to-sender situations due to the ongoing disruptions. The Drafts of history project is now ready to unveil the snapshot of a critical moment, seen through newspapers from around the world.

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What advertisements can tell us about socialist news cultures

DONALD SANTACATERINA  

Following on from the ‘Drafts of history’ project, I found myself thumbing through (digital) copies of the People’s Daily of 10 March, the date filling the search bar of a handy digitized archive of newspapers spanning the 1950s and 1960s. As I searched for content beyond the standard fare of Marxist-Leninist theory, denouncements of American Imperialism, or recent proclamations of bumper harvests in far flung rural provinces, I was soon drawn to batches of eye-catching material my culturally Western mind was well programmed to ingest. [Read more …]






News of the world, in three acts: a dispatch from Australia

ROBIN JEFFREY  

I have three newspapers in front of me – fittingly for the ‘Drafts of History’ project, from 10 March 1888. The three newspapers come from Victoria, British Columbia, in Canada; Melbourne in Australia; and Mumbai in India (Bombay, as it was known in 1888). For me, part of the fascination with these three dailies lies in my having had my first real job on one of them, written occasionally for another, and having used the third for research for over fifty years. [Read more …]


DoH-book


DoH-book


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Drafts of history: the world in newspapers on a single day Edited by Vaibhav Singh
With an introduction by Amelia Bonea
2023
This book offers a visual catalogue of over 200 newspapers from around the world, largely of and around a single day, 10 March 1888. The collection presents a unique snapshot of the world in newspapers by documenting a nineteenth-century endeavour to create an international archive of the press. Drafts of history not only offers a rare glimpse of the visual design and everyday readerly contexts of a bygone era, but it is also a timely invitation to reflect on collecting and exhibiting a centuries-old print medium in the age of digital media. [Read more …]

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288 pages · 170×240 mm
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ACKNOWLEDGEMENTS

Thanks to all our contributors! The next iteration of the project is scheduled for 2038 when we hope to document 10th March once again, through what remains of newspapers around the world. Following is an alphabetical list of acknowledgements for ‘Drafts of History’ 2020 (updated as newspapers are received).




• Ad Stijnman • Ajay Deshpande • Akalanka Jayasuriya • Akira Tashiro • Albert Sydney • Alessandro Colizzi • Alessia Mazzarella • Alfonso Herrero Sión • Amalia S. Levi • Amélie Bonet • Ameya Soman • Andrew Deleeuw • Andrew Thomas Park • Andrey Sitkin • Ann Sherif • Anna Marie Smith • Annie Olsen • Annie Sanders • Antero Ferreira • Appasamy Murugaiyan • Arina Stoenescu • Baishali Ghosh | Art History & Visual Studies, University of Hyderabad • Ben Wittner • Bennabi Mourad • Bodil Mostad Olsen • Borna Izadpanah • Carrie Stewart • Casey Smith • Charles Riley • Charlotte Biszewski • Christoph Schreuer • Claire Bolton • Dalia Wallang • Daniele Mazzarella • David Boyk • David Lemon • Diego Obiol Damas • Dmitry Vasilevski • Doyle Panchoo • Dritan Seda • Edwin P. Wieringa • Egbayi Narcisse • Elena Schneider • Elena Veguillas • Elliot King • Érika Melek Delgado • Etty Flynn • Evelyn Mabel Nuñez Alayo • Ferdinand Ulrich • Fernando Mello • George Woodman • Giedre Bac • Giovanna Draicchio • Gor Jihanian • Gretchen Peterec • Gulyamova Haima • Hatim Alattar • Hillary Briffa • Henrik Birkvig • Hussein Alazaat • Ioana-Eliza Deac • Irmi Wachendorff • James R. Kelly • Jesse O’Neill • Jo De Baerdemaeker • Joanne McNeish • Jody Butterworth • John Harrington • Jose Orellana • Josefina Bravo • Justin Zhuang • Kathleen Siminyu • Kirubalini Steven • Klimis Mastoridis • Kolá Túbosún • Konate Moussa • Kostas Bartsokas • Laetitia Cassells • Lene Amalie Aadahl | Norwegian Printing Museum • Leonid Murasova • Likando Kumoyo • Linda McGuire • Liron Lavi Turkenich • Lisa Nowak • Lisa Peters • Livia Rezende • Liz Endara • Maithili Shingre • Maria Caterina Bellinetti • Maria Veguillas • María Ramos Silva • Mariam Bagersh • Mariko Takagi • Marion Wallace • Mariya V. Pigoulevskaya • Mark E. Balmforth • Martin Lombaard • Mauricio Mejía • Mellissa J. Hinton • Miha Kovac • Morgane Pierson • Muddassir Bajwa • Myra Tawfik • N. Bhattathiri • Neven Balenovic • Nikolay Petroussenko • Ondrej Cerny • Owen McKnight • Paraskevas Perakis • Patricia Thomas • Paulina Bravo • Phil Middleton • Phub Dorji • Poonam Athalye • Priscila Lena Farias • R.D. Kulkarni • Rabab Charafeddine • Rafael E. Perez • Rama Krishna Chrukuri • Rocio Rey • Rohit Gandhi • Roman Dubrovsky • Rosa Valenciano • Rustam Gabbasov • Saba Kapanadze • Sadulloev Ashraf • Sághi Ferenc • Salomi Desai • Sanidhya Gothankar • Sanjay Landge • Sanskriti Dholi • Sarang Kulkarni • Sebastian Losch • Sergey Skorobogatov • Sharon Wells • Simon Istvan • Sol Kawage • Solvig Choi • Sonoko Miyazaki • Sophie Sarin • Stanijan Kragic • Steev Kanagalingam • Sylvia Zulu • Taryel Jurbatov • Tenuun Mergen • Terry Ngatia • Thomas Kohlwein • Tombekai Sherman • Triin Jerlei • Tusiime Mathias • Ueli Kaufmann • Vache Jihanyan • Vaishali Arekar • William Richard • Xunchang Cheng • Yannis Haralambous • Yegor Rogatsevich • Yevgen Bolybash • Yongkeun Chun • Zenab Bastawala • Zenaida Osorio Porras • Zhenzhen Lu •